JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
Please Right Back
Leeds Playhouse
TWO people in dunce’s caps mutely hand out pencils to the audience. A voiceover explains that the story we’re about to watch could be based on real life, or it could be a work of fiction. It’s unclear how, or indeed if, the various elements relate but if you sit back and let 1927’s “dysfunctional family show” wash over you, it does begin to make sense.
Framed within the tropes of film noir, the multimedia play opens with Mr E (Stefan Davis) being instructed to hand over a briefcase to a mysterious Mr Jones. In scenes reminiscent of classic Hitchcock, the case is stolen and he must go on a special mission to retrieve it before he can return home to his family.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


