RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Mr E’s adventures in Cartoonland
SUSAN DARLINGTON applauds a play that explores the role that imagination can play for children growing up through trauma
toonland
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Please Right Back
Leeds Playhouse
TWO people in dunce’s caps mutely hand out pencils to the audience. A voiceover explains that the story we’re about to watch could be based on real life, or it could be a work of fiction. It’s unclear how, or indeed if, the various elements relate but if you sit back and let 1927’s “dysfunctional family show” wash over you, it does begin to make sense.
Framed within the tropes of film noir, the multimedia play opens with Mr E (Stefan Davis) being instructed to hand over a briefcase to a mysterious Mr Jones. In scenes reminiscent of classic Hitchcock, the case is stolen and he must go on a special mission to retrieve it before he can return home to his family.
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