GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Mamet’s funny kind of sales pitch
LYNNE WALSH sees a top-drawer cast triumph in the US dramatist’s scabrous depiction of a desperate salesman on the make
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
WHO’D have imagined that an evening in the company of a set of alpha males could be so joyous?
The Playhouse revival of David Mamet’s barnstormer Glengarry Glen Ross is a belter.
From curtain up, with Stanley Townsend’s defiant Shelly Levene, we’re in safe hands in this dissection of desperate salesmen schmoozing and hustling their clients — and one another — accompanied by the torrent of abuse that’s the lingua franca of their shady business.
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LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East
Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports
This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH
LYNNE WALSH previews the Bristol Radical History Conference this weekend
