RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Lifting the veil
MARIA DUARTE is moved and outraged by a courageous undercover documentary that explores the plight of women in Afghanistan
afghan
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Bread & Roses (15)
Directed by Sahra Mani
AS women in the US are having their health rights eroded, in Afghanistan, under the Taliban dictatorship, women are banned from working, getting an education, walking or travelling in a taxi on their own, singing or listening to music and they cannot even talk outside their homes.
The stark realities for Afghan women living in this so-called gender apartheid are shown in Afghan director Sahra Mani’s powerful and harrowing documentary which follows three women in real time as they secretly filmed guerilla-style their day-to-day plight and fight against the regime.
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