Re-releases from Andy Cohen + Eleanor Ellis + William Lee Ellis, Leon Russell with Mary Russell, and Johnny Winter
Letters from Latin America with Leo Boix: July 16, 2024
Short stories by Bolivian Liliana Colanzi, a novel by Mexican Mateo Garcia Elizondo, and epic poetry by Nicaraguan Pablo Antonio Cuadra
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
MARTIN HALL examines the way the Roman orator took on different schools of philosophy
ALEX HALL is amused at the way the UFOs appear exactly where commercial interests, conspiracies, militarism and right-wing media overlap
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
MICHAL BONCZA and MARIA DUARTE review Eagles Of The Republic, The Balloonists, Star Wars: The Mandalorian and Grogu, and Tom Clancy’s Jack Ryan: Ghost War
THE seven short stories in You Glow in the Dark (New Directions, £11.99) by Bolivian writer Liliana Colanzi offer a unique blend. Everyday experiences and the fantastic merge in unusual ways, depicting a world that is both familiar and intriguingly different.
The book, translated by Chris Andrews and winner of the prestigious International Prize for Short Fiction Ribera del Duero, is predominantly set in Andean and Amazonian landscapes.
It delves deep into themes such as violence, femininity, motherhood, family, fear and illness, engaging the reader in a thought-provoking journey.
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KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards