JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Just another unhinged celebrity
PETER MASON appreciates the songs and spectacle but misses attention-grabbing intrigue in Sarah Ruhl’s adaptation of the US movie
Ramin Karimloo and Anoushka Lucas in A Face in the Crowd
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critic MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
A Face in the Crowd
Young Vic, London
THERE’S not a great deal wrong with this musical adaptation of the 1957 US film of the same name: the two leads are excellent, the music and lyrics by Elvis Costello are a cut above the ordinary and the sets and costumes are at times dazzling.
What it lacks, though, is a storyline that offers any attention-grabbing intrigue.
From the off it’s clear what will happen to the two main characters, Marcia Jeffries (Anoushka Lucas), an ambitious small-town radio broadcaster, and Lonesome Rhodes (Ramin Karimloo), a semi-hobo songwriter and storyteller whom she discovers languishing in the county jail.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
