The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Instead of a thousand words
LYNNE WALSH’S choice are photographers prepared to focus on the outcomes of the politics of exclusion
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
Sony World Photography Awards Exhibition
Somerset House
THIS is an eclectic showcase of talent, with a few hefty themes emerging, including mankind’s hand in the immolation of our beautiful planet.
Another thread, with some gut-punching images, is the ubiquitous violence against women and girls, and the soaring power of sisterhood, as female photojournalists focus on telling their sisters’ stories.
The star of the show, in many ways, is the amazing Brazilian photographer Sebastiao Salgado, recipient of this year’s Outstanding Contribution to Photography.
More from this author
From prostitution to surrogacy, access to women’s bodies can be bought for a fee. LYNNE WALSH reports from a conference exploring the mounting crisis in which women are increasingly seen as products to be consumed
LYNNE WALSH reports from the recent ‘Chartism Day’ conference at Reading University, where sisters of the 19th century Chartist struggle emerged from the pages of history
LYNNE WALSH reports from a recent conference in London organised by the Women’s Declaration International
LYNNE WALSH reports on discussions among feminist campaigners and a recent Swansea University event
Similar stories
JOHN GREEN marvels at the rediscovery of a radical US photographer who took the black civil rights movement to her heart
JOHN GREEN appreciates two photobooks that study the single room of a homeless hostel resident, and a council estate in Exeter
ISAAC BLEASE introduces a unique exhibition of photography that explores its importance for the working class then and now