IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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A good enough death
JONATHAN TAYLOR welcomes a memoir that reflects on the economic inequalities that narrow the choices available in end of life care
intervals
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
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The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Intervals
Marianne Brooker, Fitzcarraldo Editions, £10.99
IN MY 2007 memoir Take Me Home (Granta, now out of print), I suggested that “care is a kind of siege, a war of attrition.” A large part of caring, I argued, consists of biding time, waiting for something to happen: “for the symptoms to change, for … the pill cycles to kick in or kick out,” for the sick person “to capitulate … without input from [their] … own volition.”
But what, I wonder now, is the end-game here? What if caring is sometimes simply, in essence, waiting for the sick person to die? What does it mean for care, the carer and the sick person when the intended goal is death? Can the carer still then be considered a “good carer”?
These are the questions posed by Marianne Brooker’s insightful and important new memoir, Intervals. For Brooker, “the practices of care go on and on,” to death and “even … after someone has died.”
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