ANDREW MURRAY is compelled by the moment of revolution in British history when Parliament had political intimacy with society
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SYLVIA HIKINS applauds a musical show that emphasises the growing difference in songwriting between Lennon and McCartney
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
GAVIN O’TOOLE welcomes a masterful study of gang behaviour in the favelas of Sao Paulo
Helen Colley introduces this year’s ScreenCuba film festival with an exclusive offer to Morning Star readers
DENNIS BROE appreciates the work of TV writer Steven Knight, and his systematic exposure of the debilitating effects of British capitalism
A pamphlet by British Latinx poet Patrick Romero McCafferty, poetry by Anglo-Argentinian Miguel Cullen, and a book of conjuring poems by Mexican Pedro Serrano
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
Come Together
The Royal Court Theatre, Liverpool
OPENED in 1826, Liverpool’s Royal Court Theatre was forced to close in 1996, due to the dilapidated state of the building. The new theatre opened its doors in 2000, intent on being a writer’s theatre with plays and performances that challenge the artistic, social and political orthodoxy of the day, together with community-focused activities.
Many productions focus on new writing, in particular with a Liverpool theme, using a largely Liverpool cast and crew.
It’s obvious that at some point drama and music about Liverpool’s Fab Four would be included. The show Come Together explores the Lennon and McCartney partnership from their first meeting as teenagers to the break-up of the Beatles 13 years later – everything from the Quarrymen all the way through to Abbey Road.
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