JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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Film round-up: November 7, 2024
Lego synaesthesia, a tender portrait of poverty, bear-faced capers and premature Santa: The Star's critic MARIA DUARTE reviews Piece By Piece, Bird, Paddington in Peru and Red One
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
Piece By Piece (PG)
Directed by Morgan Neville
★★★★
THE closing film at this year’s London Film Festival, Morgan Neville’s psychedelic and innovative documentary chronicles the life of cultural icon Pharrell Williams through a Lego lens.
Williams, his wife, his close friends and colleagues including renowned stars such as Jay-Z, Missy Elliot, Gwen Stefani and Snoop Dogg all appear as Lego figures as they are interviewed although these artists apparently weren’t informed of that little detail at the time.
The loud and brightly coloured Lego settings are initially very distracting as you are captivated by the colourful figures and backdrops rather than what they are saying. It isn’t until you are halfway through the film that the novelty wears off.
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