MARK TURNER is staggered by a gifted jazz pianist from the Welsh Valleys
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Film round-up: August 15, 2024
Inside Afghanistan, Chinese crime thriller, entertaining pants and Alien deja vu: the Star's critic MARIA DUARTE reviews Hollywoodgate, Only The River Flows, Jackpot! and Alien Romulus
JESSICA WIDNER explores how the twin themes of violence and love run through the novels of South Korean Nobel prize-winner Han Kang
SARAH TROTT explores short fictional slices of life in the American midwest from a middle-aged and mostly female perspective
New releases from Black Country, New Road, Anouar Brahem, and Jaywalkers
RICHARD CLARKE recommends a hugely valuable text for those seeking theoretical analysis and practical action to defend public services
JOHN HAWKINS is moved by an oral history that examines five black families pushed into homelessness in the US
BOB NEWLAND recommends an outstanding study of how images have shaped narratives of identity, resistance and power in South Africa
Hollywoodgate (12A)
Directed by Ibrahim Nash’at
★★★★
“WHY is he filming? asks a member of the Taliban. “He is making a documentary… Documenting our everyday lives both civilian and military for a year. If his intentions are bad he will die soon.” Chilling words from a Taliban commander about Egyptian film-maker Ibrahim Nash’at.
The Taliban agreed to let him film Mawlawi Mansour, the new head of Afghanistan’s air force whose father was killed by US forces, and MJ Mukhtar, a former Taliban fighter now with dreams of an illustrious military career, from the moment US troops left Kabul and Taliban forces took the city on August 31 2021.
He captures Mansour and his team entering Hollywood Gate, a secret CIA base, and checking what the US left behind.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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