Born from exclusion and resistance, black British art has carved out creative space to tell untold stories and challenge racism, says ROGER McKENZIE
JUST WEEKS ahead of the inauguration of president-elect Ferdinand Marcos Jr, or Bongbong Marcos, red tagging has re-emerged as a national debate in the Philippines. In what is being seen as a possible shift in attitudes within the ruling dispensation, Menardo Guevarra, Justice Secretary in the outgoing Rodrigo Duterte administration, called the practice of red tagging dangerous.
Speaking at an online news forum, Guevarra said that the practice only endangers people who are “vocal about their own political views.” Red tagging is a controversial practice employed by the state security apparatus and anti-insurgency agencies of labelling individuals or groups as affiliated to the banned Communist Party of the Philippines (CPP) or its armed wing, the New People’s Army (NPA).
The practice often leads to harassment and even violent attacks by government bodies and vigilantes, often without substantial evidence. Numerous killings of activists, trade unionists, indigenous leaders and local journalists by the security forces or armed vigilantes have been attributed to unsubstantiated accusations of communist affiliations made by state agencies.
Huge protests against corruption and preventable deaths during flooding have rocked the government — the masses are not likely to be able to take direct control in their own interests yet, writes KENNY COYLE, but it’s a promising show of people power
Following the resignation of Nepali Prime Minister KP Oli amid mass youth-driven protests, different narratives have circulated which simplify and misrepresent the complexities and reality on the ground in Nepal at the roots of this crisis, argue VIJAY PRASHAD and ATUL CHANDRA
A judge in a German court ruled that the ban activity imposed on renowned Dr Ghassan Abu-Sittah was unlawful, reports LEON WYSTRYCHOWSKI



