A November 15 protest in Mexico – driven by a right-wing social-media operation – has been miscast as a mass uprising against President Sheinbaum. In reality, the march was small, elite-backed and part of a wider attempt to sow unrest, argues DAVID RABY
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Havana Biennial: Cuban culture defies the US empire
From intimate venues to grand stages, Scottish singer-songwriter CALUM BAIRD finds Cuba’s cultural heart still beats strong while power cuts and sanctions fail to silence artistic expression.
Scottish singer Calum Baird on the Malecon
Despite new European arrests, the evidence presented so far fails to explain the sabotage of the undersea pipelines – and veteran investigative journalist Seymour Hersh’s allegations of US responsibility cannot be easily dismissed, writes ROGER McKENZIE
Groups are urging the US government to secure the 16-year old’s release as his mental and physical health decline dramatically after nine months inside Ofer prison, writes LINDA PENTZ GUNTER
MAT COWARD tells the story of the eccentric founder of a short-lived but striking experiment in ‘vital democracy,’ who became best known for giving away his estate to the nation
As figures from Tucker Carlson to Nigel Farage flirt with neofascist rhetoric and mainstream leaders edge toward authoritarianism through war and repression, the conditions that once nurtured Hitlerism re-emerge — yet anti-war and anti-imperialist sentiments are also burgeoning anew, writes ANDREW MURRAY
As President Javier Milei is set to unveil a radical rollback of Argentina’s labour laws, unions warn of an unprecedented assault on workers’ rights, says BERT SCHOUWENBURG
TRAVELLING from Edinburgh to London, London to Madrid, Madrid to Havana, I was full of anticipation. Once I stepped off the plane and was reunited with my guitar, that anticipation ratcheted up all the more.
Supported by Unison Scotland, FBU Scotland, Unite Hospitality Scotland, BFAWU, PCS Scotland and the Peace and Justice Project, I travelled to Havana from November 19-29 as the only Scottish musician taking part in the 40th edition of the Havana Biennial.
I dived headfirst into the vibrant cultural scenery of the Biennial — literally, three hours after leaving the airport, I was on stage in El Antonia in the heart of Old Havana. I was part of a delegation that included artists and musicians from Ecuador, France and Switzerland — including German rock and blues band Keimzeit.
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During visits to Cheney School and Oxford Brookes University, Ismara Mercedes Vargas Walter highlighted how Cuba devotes half its budget to education, health and social security despite the US blockade, reports ROGER McKENZIE
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