The only way to develop and build a party of a new type that in any way threatens capitalism is at the same time to develop and build the mass movement around it, argues BILL GREENSHIELDS
Havana Biennial: Cuban culture defies the US empire
From intimate venues to grand stages, Scottish singer-songwriter CALUM BAIRD finds Cuba’s cultural heart still beats strong while power cuts and sanctions fail to silence artistic expression.
Scottish singer Calum Baird on the Malecon
JEREMY CORBYN reports from Hiroshima where he represented CND at the 80th anniversary of the bombing of the city by the US
RAMZY BAROUD asks why it has taken so long for even left-wing voices in the West to call out what Israel is doing
FRANCISCO DOMINGUEZ says the US’s bullying conduct in what it considers its backyard is a bid to reassert imperial primacy over a rising China — but it faces huge resistance
ROGER McKENZIE reports on the west African country, under its new anti-imperialist government, taking up the case for compensation for colonial-era massacres
SOPHIE BOLT makes an urgent case for comprehensive nuclear disarmament
TRAVELLING from Edinburgh to London, London to Madrid, Madrid to Havana, I was full of anticipation. Once I stepped off the plane and was reunited with my guitar, that anticipation ratcheted up all the more.
Supported by Unison Scotland, FBU Scotland, Unite Hospitality Scotland, BFAWU, PCS Scotland and the Peace and Justice Project, I travelled to Havana from November 19-29 as the only Scottish musician taking part in the 40th edition of the Havana Biennial.
I dived headfirst into the vibrant cultural scenery of the Biennial — literally, three hours after leaving the airport, I was on stage in El Antonia in the heart of Old Havana. I was part of a delegation that included artists and musicians from Ecuador, France and Switzerland — including German rock and blues band Keimzeit.
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