The question is not simply how much we spend on defence, but what we understand defence and security to mean, says SIMON BRIGNELL
THE Hindi film industry in Bombay has in the past contributed immensely in the growth of peace, solidarity and secular nationalism and progressive popular culture in India. The actors, directors, singers, artists, producers and writers of Bollywood have challenged power and stood behind people and their citizenship rights by upholding highest traditions of art and cinema.
However, the market-driven commercial culture motivated by profit has diminished such noble traditions within the India’s tinsel town. Commercialisation has dehumanised, distilled and alienated actors from the people and their issues.
The profit-driven advertisement industry helped this process to grow to sell dreams and alienate people from their everyday realities. The market and religious forces have used popular culture of art and cinema to promote and propagate their ahistorical and reactionary ideology to capture power in the name of culture, religion and nationalism. Such transformations have produced celebrities like newly inducted Padma Shri Kangana Ranaut.
Two months of student unrest have forced out India’s education minister and rattled the BJP regime. Could this be the beginning of the end for Modi, asks Communist Party of India (Marxist) general secretary MA BABY
The biggest strike in global history is a template for our future. The silence tells you all you need to know, writes CLAUDIA WEBBE
After Zohran Mamdani’s electoral win, BHABANI SHANKAR NAYAK points to the forgotten role of US communists in New York’s radical politics
Modi has rolled out the carpet for the Taliban in New Delhi — and we shouldn’t be surprised. They have more in common than you might think, argues Bhabani Shankar Nayak



