The selection, analysis and interpretation of historical ‘facts’ always takes place within a paradigm, a model of how the world works. That’s why history is always a battleground, declares the Marx Memorial Library
Birmingham to see Revival of Co-op Film Tradition
An outdoor cinema
As tens of thousands return to the streets for the first national Palestine march of 2026, this movement refuses to be sidelined or silenced, says PETER LEARY
On January 29, US President Donald Trump declared Cuba an ‘unusual and extraordinary threat’ to US national security and tightened the blockade against the island nation MANOLO DE LOS SANTOS reports
If the government really wanted to address public finances, improve living standards and begin economic recovery, it would increase its borrowing for investment, argues MICHAEL BURKE
For those who lived in Yanoun, its disappearance is not just a local tragedy, but a stark symbol of escalating violence, displacement and impunity across the occupied West Bank, says JANE HARRIES
MATT KERR takes a winter journey through poetry, labour and memory, from Glasgow to Newcastle, arguing that our radical past isn’t something to revere from a distance, but a tool still meant to be used
AS A child raised on Saturday morning club at my local fleapit, I have always had a love for cinema. A medium that, by just turning down the lights, can silence hundreds of children does it for me.
As a co-operator it is heartening that there is a very long relationship between the movement and cinema. Back in 1914 in a rallying call the Co-operative News asked: “The cinema: should it be used for co-operative purposes?”
Seeing that cinema had the means of “attracting the masses — young and old — in a way that would enable them to obtain knowledge, and at the same time be vastly entertained.”
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