MAYER WAKEFIELD speaks to Urielle Klein-Mekongo about activism, musical inspiration and the black British experience
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Crime fiction with Mat Coward: January 7, 2025
A late Christmas cornucopia, a Canadian wolf, a dodgy motel and Peter Diamond’s last bow
KEVIN BRYAN reviews new releases by The Outlaws, Mark Radcliffe & David Boardman, Clarence White
BOB NEWLAND reviews a book that will take many back to the final years of apartheid in South Africa
GAVIN O’TOOLE examines the fatal relationship between environmental crimes and politics in Brazil and the inspiration provided by Indigenous people
MARIA DUARTE and LEO BOIX review Little Trouble Girls, Big Boys, The Roses, and Caught Stealing
MARY CONWAY admires a study of environmental idealism that aspires to Chekhov but is arrested in a deluge of middle-class opinion
CRIME stories have been a fixture at Christmas for well over a century now, and Death Comes At Christmas (Titan, £19.99), edited by Marie O’Regan and Paul Kane, is one of the best anthologies of its type I can remember.
There’s not a single weak entry among the 18 pieces by as many authors, and several real winners, with a good variety of tone and type, from locked rooms reminiscent of the Golden Age to forensic techs wearing bloodstained paper suits.
I won’t try and pick out highlights, for fear of slighting the others, except to say that Alexandra Benedict deserves a Best Punning Title prize for The Midnight Mass Murderer.
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