DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
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Corporate musical Korea
SARAH A SON explains how K-pop was manufactured by government strategy as a global branding tool for South Korea
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
THE 13-member K-pop boy band SEVENTEEN will make history this year as they become the first Korean group on the Glastonbury music festival line-up.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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HYUN KYONG HANNAH CHANG draws attention to the role that music has always played in South Korean protest
Suddenly pressed into international diplomacy, the bard brings the crumhorn of peace to North Korea