IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Ribald rock ‘n’ roll
darts
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
The Darts (US)
100 Club, London
HERALDED as a garage rock all girl group bringing their twisted slumber party to town, the 100 Club’s hallowed stage is home to The Darts all the way from the USA. They’re dropping into town for the only UK date of their ambitious 16 dates in 16 days European tour.
Opening the set with My Heart is a Graveyard, there’s a tried and tested formula. It’s all thumping bass, hard rocking beats, a rockabilly guitar riff merging with a ’60s-style Farfisa organ while singer Nicole Laurenne screams over the top.
It brings to mind The Dead Weather crossed with The Cramps topped with a good dose of 1950s B-movie schlock.
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