MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
FOR those fans who’ve followed the career of William Catesby across the previous seven novels centred around Edward Wilson’s extraordinarily grounded, cultured and left-wing British spy, his latest makes for a most satisfying read.
Loose ends are, at least in part, neatly tidied up but the first-time Catesby reader shouldn’t be fazed either, as Portrait of the Spy as a Young Man is a compelling standalone experience.
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
The PM is drawing cautious distance from Donald Trump over Iran – but history suggests Britain’s support may run deeper than it appears, just as it did during the Vietnam war, says KEITH FLETT
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying


