STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
Theatre review: Nothing to lose but their chains
LYNNE WALSH sees an inspirational production celebrating a landmark women's strike
Rousing: Bryony Purdue and Rowan Godel
[Mic Lowe] 
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
Rouse, Ye Women!
Touring
TELLING historical truths, driving a drama, involving the audience and providing a damn good night out — it’s a tall order.
But for Townsend Productions, it’s what they do. Their provenance, and their commitment to radical history, has fast become a hallmark. So it proves with this story of Mary Macarthur and the female chainmakers’ strike.
More from this author
LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East
Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports
This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH
LYNNE WALSH previews the Bristol Radical History Conference this weekend
