EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
How to Survive an Apocalypse
Finborough Theatre
CANADIAN playwright Jordan Hall leans heavily on climate change in her writing and How to Survive an Apocalypse is no different, turning to Survivalism – the skills and requirements of individuals preparing for imminent disasters.
This should be a timely drama with Covid ravaging much of the planet, fuel shortages and a pivotal, world summit on climate change only a month away, but unfortunately the premise is only a lens to observe a series of young, middle-class professionals and their relationship needs.
Jen, an overpowering and self-driven magazine editor, is faced with rebranding her creation from a publication for aspiring young professionals to one engaging with survival skills. Her husband Tim, a failed video game creator who lives his life though digital simulations, cannot compete with the square-chinned, broad-shouldered, arrogant, alpha male brought in as a consultant to oversee the transformation.
If you only see one show in Edinburgh, make it this one urges EWAN CAMERON
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



