Skip to main content
Greater focus on the collateral damage connected to Salazar’s rule would have provided better context and more balance to his portrayal

Salazar: The Dictator Who Refused to Die
by Tom Gallagher I Hurst Publishers £25

AS leader of Portugal from 1932 to 1968, Antonio de Oliveira Salazar was one of the most enduring dictators of the 20th century, wielding power through what his latest biographer, Tom Gallagher, identifies as a combination of “technical skills and acute political intuition.”

[[{"fid":"25379","view_mode":"inlineright","fields":{"format":"inlineright","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"1":{"format":"inlineright","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false}},"attributes":{"class":"media-element file-inlineright","data-delta":"1"}}]]He came to his exalted position largely as a result of the terrible period that followed the 1910 revolution in Portugal, which ushered in a democratic republic but led to more than 15 years of political and economic chaos.  

In 1926 a military coup tried to restore order and the army looked to Salazar - an economist, not a politician - to bring about some financial rectitude. He did such a good job that when he was eventually asked to fill the post of prime minister he could more or less name his terms, becoming absolute ruler in a bloodless coup of his own that turned the military dictatorship into a civilian one.  

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
tradwife
Theatre Review / 5 February 2025
5 February 2025
PETER MASON applauds a thought-provoking study of the relationship between a grieving woman and her photographer
BALLET
Theatre Review / 9 December 2024
9 December 2024
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book
12th
Theatre review / 4 December 2024
4 December 2024
PETER MASON reckons the NYT’s production of Shakespeare’s comedy is the pick of the Christmas shows on offer in London 
chiller
Music review / 25 November 2024
25 November 2024
PETER MASON shivers in the under-heated ecclesiastical setting of a concert featuring five 19th-century French composers 
Similar stories
colonial thefts
Book Review / 24 September 2024
24 September 2024
FRANCOISE VERGES introduces a powerful new book that explores the damage done by colonial theft
Chile 1
Exhibition Review / 11 July 2024
11 July 2024
Co-curator TOM WHITE introduces a father-and-son exhibition of photography documenting the experience and political engagement of Chilean exiles
female
Exhibition review / 21 June 2024
21 June 2024
LYNNE WALSH applauds a show of paintings that demonstrates the forward strides made by women over four centuries 
auster
BenchMarx / 17 May 2024
17 May 2024
ANDY HEDGECOCK celebrates the way that US writers have always used crime and sci-fi to explore and express dissident ideas