STEVE JOHNSON recommends a protest album with a harder edge than many in the genre

The Glass Menagerie
Arcola Theatre, London
ALL coquettish wiles and smiling scheming, Lesley Ewen commands the stage as Amanda Wingfield in this tricky old Tennessee Williams classic. It’s a huge performance at the play’s epicentre.
Her desire to raise her children beyond their abilities or ambition in the austerity-stricken St Louis of 1937 creates unbearable tension and the resultant matriarchal bullying, played at this pitch, can exhaust an audience.
Her every feature is florid, her dialogue a torrent of words. Even the Magic Flute’s Queen of the Night seemed to pause and breathe more often.

LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East

Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports

This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH

LYNNE WALSH previews the Bristol Radical History Conference this weekend