MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
A chilling portrayal of Heinrich Himmler
SIMON PARSONS reviews an exploration of an infamous psychopath forced to judge his own actions
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New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
The End of the Night
Park Theatre, London
BASED on a recorded meeting between Heinrich Himmler and a representative of the World Jewish Congress in the final days of the second world war, this is a little-known encounter with fascinating dramatic potential.
With Berlin awaiting the arrival of the Allied forces, Himmler was persuaded by his physiotherapist to meet a Jewish activist without Hitler’s knowledge to discuss the possible release of concentration camp inmates as an act of goodwill.
Ben Brown’s exploration of this late-night meeting at a hunting lodge just outside Berlin focuses largely on Himmler, played with menacing earnestness and charm by Richard Clothier.
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