EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
A chilling portrayal of Heinrich Himmler
SIMON PARSONS reviews an exploration of an infamous psychopath forced to judge his own actions
MENACING: Richard Clothier as Himmler
[Mark Douet]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
The End of the Night
Park Theatre, London
BASED on a recorded meeting between Heinrich Himmler and a representative of the World Jewish Congress in the final days of the second world war, this is a little-known encounter with fascinating dramatic potential.
With Berlin awaiting the arrival of the Allied forces, Himmler was persuaded by his physiotherapist to meet a Jewish activist without Hitler’s knowledge to discuss the possible release of concentration camp inmates as an act of goodwill.
Ben Brown’s exploration of this late-night meeting at a hunting lodge just outside Berlin focuses largely on Himmler, played with menacing earnestness and charm by Richard Clothier.
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