To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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On Burnley Road: Class, Race and Politics in a Northern English Town
Salutary lessons to be learned from race riots in a ‘red wall’ Burnley
DECLINE: Abandoned factories symbolise Burnley's impoverishment in recent decades
[David Dixon/Creative Commons]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
IN JUNE 2001, there was a sudden outburst of racial rioting in the old Lancashire town of Burnley, one with a long weaving tradition and home to a settled minority community of Asian Muslims, mainly from Bangladesh, Gujarat and Pakistan who had lived in the town in seeming amity with their neighbours. That was clearly not the case.
Mike Makin-White, a former member of the Communist Party of Great Britain, was at the time working in community relations for Burnley Council, helping to promote community cohesion and good race relations during a decade when the BNP won seats on the council.
In this book, after a short but useful historical introduction to the town, he provides an incisive step-by-step description and perceptive analysis of what lay behind those riots.
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