WILL STONE fact-checks the colourful life of Ozzy Osbourne

AFTER last year’s virtual edition, Berlin’s huge film festival returned this year to in-person events, with a boldly international programme the scope of which we we haven’t seen for some time.
The Golden Bear went to Alcarras by female Spanish director Carla Simon is a semi-autobiographical, bittersweet tale about belonging, set in her native village (Alcarras). Simon focuses solidly on the earth, and those who work it, examining society’s fractured relationship with agriculture and the disappearance of the old way of life.
The grandfather of the family was given the right to farm the land by the wealthy Pinyol clan during the Spanish civil war, in the days when your word was your bond. Nothing exists on paper, and the new Pinyol now wants to tear down the peach orchards to build fields of solar panels. With stunning camerawork in deliberately natural colour, it is an elegant film, acted with real power and a strong feeling for its ordinary farmers.

RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse

RITA DI SANTO draws attention to an audacious and entertaining film that transplants Tarantino to the Gaza Strip

RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards

RITA DI SANTO speaks to the exiled Ukrainian director Sergei Loznitsa about Two Prosecutors, his chilling study of the Stalinist purges