IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
Latest editorial
Big surprise in the woods
GEORGE FOGARTY recommends a festival that is both small enough to visit with young kids, and big enough to host musical and humanitarian ambitions
woods
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Wood Festival
Braziers Park, Oxfordshire
GOING to a music festival with young children, as I learnt some time ago, is not generally a relaxing experience. Parenting is hard enough as it is, without attempting it in rivers of mud, while carrying your home on your back, queueing endlessly and having to miss your favourite band because your little darling has suddenly decided they do actually now want that pizza they insisted they didn’t want 20 minutes earlier.
Wood Festival is not like that. It’s small enough that everything is close by, kids can find their way around easily, and unless you’re an inch from the bass bin, the music is never ear-splitting.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
