EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
CONGRATS to organiser Matt Panesh and the team at the Morecambe Poetry Festival which took place a couple of weeks ago. I am proud to have performed at all three annual shindigs (the right word!) they’ve put on so far and it’s by far the best poetry festival I’ve ever been invited to, which is saying something since I’ve done hundreds in the past 44 years. It’s utterly brilliant. Here’s why:
- Every featured poet has material which is accessible and in the widest possible sense relevant to everyday human experience;
- Every featured poet is capable of delivering their work audibly, addressing the audience rather than their own feet, and, if under the influence of alcohol, imbibed at a level which aids their performance rather than turning it into a total shambles;
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
The Bard contributes to the campaign of Count Binface, and applauds Burnham’s plans for vocational training
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
In verse and polemic, the bard points out that he is a poet and musician, not a political party



