ELEANOR DOBSON reflects on a stark visual record of the violent desecration of Tutankhamun’s mummified remains
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Attila the Stockbroker Diary: March 8, 2024
The itinerant troubadour extols the virtues of grassroots campaigning and train travel as he makes, for the first time in his life, a pilgrimage to the Holy City
Poets in London (Attila and John Hegley); Seagulls in Rome
[Courtesy of Attila the Stockbroker]
RUTH AYLETT appreciates the rich blend of poetry and music that accompanied the launch of the Morning Star’s anthology of poetry, Who We Are
WANJA KIMANI explores the many bonds of community experience expressed in in the bold and colourful imagery of a new mural
New releases from Keeley, Lucinda Williams and Ye Vagabonds
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
PAUL DONOVAN enjoys a brutally honest rags to riches memoir of the actor’s life, even if it clearly lacks any political insight
FIRSTLY, thanks to everyone who came to my latest London matinee show at The Dublin Castle last Sunday. It featured a long overdue reunion with my old poetic mucker John Hegley, whom I first performed with on the CAST New Variety circuit in the early ’80s. He was brilliant, as was the unique and inspirational Blyth Power, and the place was packed. Cheers John! Lovely to see you again.
I wrote the first part of this on the long train journey to Rome, where last night I watched Brighton play AS Roma in the Olympic Stadium in the last sixteen of the Europa League.
I’m going to repeat that.
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