The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Attila the Stockbroker Diary: March 8, 2024
The itinerant troubadour extols the virtues of grassroots campaigning and train travel as he makes, for the first time in his life, a pilgrimage to the Holy City
attila
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
FIRSTLY, thanks to everyone who came to my latest London matinee show at The Dublin Castle last Sunday. It featured a long overdue reunion with my old poetic mucker John Hegley, whom I first performed with on the CAST New Variety circuit in the early ’80s. He was brilliant, as was the unique and inspirational Blyth Power, and the place was packed. Cheers John! Lovely to see you again.
I wrote the first part of this on the long train journey to Rome, where last night I watched Brighton play AS Roma in the Olympic Stadium in the last sixteen of the Europa League.
I’m going to repeat that.
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