The Bard reflects on sharing a bed, and why he wont go to Chelsea
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Album reviews with Ian Sinclair: January 29, 2024
New releases from: Pharoah Sanders, Bill Ryder-Jones and Violent Femmes
MARY CONWAY applauds a new play that foresees the unscrupulous tactics of a future far-right minority government
RON JACOBS is moved to tears by an eloquent journal of heartfelt intensity and human portraiture
ROBERT OVETZ recommends a case study, from the University of Leicester, in their struggle against precarization, AI, privatisation, outsourcing, and work intensification in higher education
IAN SINCLAIR welcomes a lucid critique of a technology that reproduces and enables oppression, power, and environmental devastation
SIMON PARSONS applauds an impassioned demonstration of the fundamental role of women in the history and protection of the forest ecosystem
Pharoah Sanders
Pharoah
(Luaka Bop)
★★★★
HAVING paired Pharoah Sanders with electronic artist Floating Points on 2021’s critically acclaimed Promises, Luaka Bop have now reissued the US jazz legend’s previously hard to find 1976 album.
Recorded in a home-made studio in upstate New York, the set comprises three sections. Twenty-minute opener Harvest Time evolves over a hypnotic two chord vamp from guitarist Tisziji Munoz. With no drums, there is coolness to the track that makes it feel fresh and modern.
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IAN SINCLAIR welcomes a lucid critique of a technology that reproduces and enables oppression, power, and environmental devastation
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Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
