RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Album reviews: August 27, 2024
KEVIN BRYAN, CHRIS SEARLE and TONY BURKE review new releases from Dickey Betts, Little Johnny England, Greenslade, Benet McLean, Sam Newbould, Sofia Jernberg/Alexander Hawkins, compilation: Walking To New Orleans, compilation: This Is Goldwax: 1964-1968, Jack Bruce
DB
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Dickey Betts
Live From The Lone Star Roadhouse New York City 1988
(Wienerwotld)
★★★
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