SOLOMON HUGHES asks whether Labour ‘engaging with decision-makers’ with scandalous records of fleecing the public is really in our interests

AFTER a successful first run in 2022, when Rogue Heroes averaged 6.8 million viewers (making the show the sixth most-watched British drama series of 2022), it was inevitable the BBC would commission a second season.
Viewers lapped up the show’s tales of real-life WWII derring-do, in which Ampleforth College-educated aristocrat Archibald David Stirling (1915-90) leads his handpicked squad of commandos to take on the Axis in north Africa. With such success, it would appear the regular (majority non-Eton, I presume) British army were sitting on their backsides most of the time while the SAS did all the hard work.
Well, that’s the impression if one believes the hokum served up by the show, the opening credits of which state “based on a true story, the events depicted which seem most unbelievable … are mostly true.”

While Spode quit politics after inheriting an earldom, Farage combines MP duties with selling columns, gin, and even video messages — proving reality produces more shameless characters than PG Wodehouse imagined, writes STEPHEN ARNELL

The fallout from the Kneecap and Bob Vylan performances at Glastonbury raises questions about the suitability of senior BBC management for their roles, says STEPHEN ARNELL

With the news of massive pay rises for senior management while content spend dives STEPHEN ARNELL wonders when will someone call out the greed of these ‘public service’ executives

As Trump targets universities while Homeland Security chief Kristi Noem redefines habeas corpus as presidential deportation power, STEPHEN ARNELL traces how John Scopes’s optimism about academic freedom’s triumph now seems tragically premature