The bard gives us advance notice of his upcoming medieval K-pop releases
Latest editorial
‘The US has reached a tipping point’
JOHN GREEN appreciates the clarity with which a GDR-born photographer observes the ‘post-competitive cannibalism’ of the contemporary US
Los Angeles, CA, 2019
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
The End is Near, Here
Michael Dressell, Hartmann Books, £35
HELL has reserved a ringside seat for Michael Dressel.
He seeks out places that most of never see, and he always has his camera with him to photograph the damned as they struggle through their daily lives.
His camera captures provocative images in Europe, Africa and Asia, but these do not show the disturbing chaotic power of the 21st century US hellscape in which we are drifting towards our destruction.
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